The Outlaws
The
story’s ‘world’ moves from
- ‘Primitive’ life to do with practical problems of
living in the forest and avoiding capture
- ‘Pantheism’ where they feel emotionally part of
nature
- ‘Paganism’
where they feel attacked by spirits
- ‘Religion’
when Berg tells Tord about God and Tord is guided by divine ‘justice’
Tord
worships Berg as a kind of father who knows everything, whom he loves, and whom
he obeys in the traditional way as his ‘lord’.
Ironically the ‘education’ that Berg gives him in the end leads to his
betrayal of Berg in the name of a ‘justice’ we don’t quite admire.
Berg
too lives in terms of rank, and expects Tord’s obedience and respect.
He
despises him because of his ‘rank’ as a thief.
Tord
in fact is not a thief but allowed himself to be accused to save his father. He lacks self-confidence, and is influenced
not just by Berg but by the supernatural feel he gets from the forest and lake
Very
little happens in the story. It is taken up with representation of the
‘primeval’ world the outcasts live in, and with how they sort out what really
happened in the past for one to be dubbed a murderer and the other a thief.
The
main events are.
- They live the forest life but not as criminal ‘outlaws’,
Berg excited by the chase but only with ‘half’ of himself, Tord scared.
- Tord reveals that he is not really a thief, but
shielding his father, which Berg despises (ironically from the viewpoint
of his final betrayal by Tord)
- They see Unn, Berg’s former lover, perhaps, whom
Tord now falls in love with.
- Berg tells Tord about his wife’s jealousy of Unn,
leading to the Bishop’s public humiliation of Berg and Tord and his murder
of the Bishop for the sake of Unn’s honour.
- Berg tells Tord about God and Tord thinks Berg
ought to confess – which means being tortured.
- Tord gathers villagers to take Berg and
eventually tells Berg that he has done so, then has a last minute change
of heart, but too late.
- Berg turns on Tord but is killed by him, also to
punish Unn, but is heartbroken.
At the end
the reader is left with questions
1 What
is the source of Tord’s overwhelming love and admiration of Berg? Is he a kind of father? It’s only as the story develops that he is
concerned with his being a murderer.
2 What
is the significant of Berg’s concern with self-assertion, and what we might
call ‘rank’. He despises Tord for being
a thief, and falls ‘naturally’ into treating him as a servant. At first he mocks Tord for not helping the
villagers to capture him, then at the end wants to kill him for doing just that.
3 Why is so
much attention given to description of the landscape? Are we
to see the atmosphere of the place as more powerful than anything else in the story?
4
Berg’s murder would have been
forgotten about, perhaps, if it were not a holy man whom he had killed. His
murder of the Bishop is in keeping with an earlier moral code of honour and
revenge in which Berg’s action would be ‘normal’ - defending Unn’s and his own honour.
5 What
do we assume about the relationship between Berg and Unn? And how do we view the action of Berg’s wife,
and of Unn herself?
6 What
do we make of the God Berg teaches Tord about?
How do we react ourselves to the conflict between love and justice, as
it seems at the end?
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